Tuesday, July 20, 2010

Everything You Always Wanted to Know About Audiobooks, But Were Afraid to Ask

While the world is obsessing about eBooks, Woody Allen has a different ultra-modern technology on his mind. Audiobooks.

Audiobooks by a Technophobe

From the article:

Q.
How were you persuaded to embrace the audiobook format? Do you own or regularly use any of the high-tech gadgets that play these files?

A. I was persuaded in a moment of apathy when I was convinced I had a fatal illness and would not live much longer. I don’t own a computer, have no idea how to work one, don’t own a word processor, and have zero interest in technology. Many people thought it would be a nice idea for me to read my stories, and I gave in.

Oh, Woody. What do you want to bet someone told him audio would be a nice idea...in 1974? (...She scoffs, as she runs to iTunes to fork over $1.95 for "The Whore of Mensa.")

Tuesday, July 06, 2010

Abraham Lincoln: Vampire Hunter by Seth Grahame-Smith

Some people think President Lincoln was gay. Some think he was a patronizer of prostitutes. Some think he was a Republican. Lots of theories, lots of dubiousness. But we can shut all the rest down, y'all, 'cause I think we have a winner: Abraham Lincoln was a vampire hunter, and that was the consuming issue of his life.

Okay, not really. (But this seems just as plausible as the idea that he was ever in the same general political room as Dick Cheney, no?) And it's the central idea of Seth Grahame-Smith's novel Abraham Lincoln: Vampire Hunter. The book essentially takes what Grahame-Smith started in Pride and Prejudice and Zombies, and applies it to a public domain life instead of a public domain Victorian novel.

As someone who would put Lincoln in her top five presidents, but isn't necessarily a presidential purist, I liked it. I think there are respectful ways to be playful and cheeky with historical content, and that's what Grahame-Smith does--he takes something you already know, tweaks it a little, and makes it seem fresh without undercutting the original. In P&P&Z's case, that means channeling Austen-style feminist rage through flesh-eating monsters. In Lincoln's case, it's pulling a context (vampire domination) over the crushing inhumanity of the slavery issue. (Slaves are essentially captive prey for vampires, leading Lincoln to conclude that African slavery ends up enslaving all Americans.)

The most successful part of the book is that Grahame-Smith weaves everything together so that you tend to forget where the real threads stop and the absurd new ones begin. Like, I know that Real Abe Lincoln suffered some heavy losses in his life (mother, sister, girlfriend, children, etc.). But I also don't stop to question it when I read that his mother's "milk sickness" was really the act of a malicious vampire. Or that Jefferson Davis was fighting the Union to serve evil vampire overlords who viewed Southern-style repression as the way to keep humans in check. I don't think twice when I think of Abe and his good buddy, Joshua Speed, fighting vampires side by side (though honestly, that one might be because I find their rumored real-life hooker-based shenanigans to be pretty icky).

The least successful part of the book is that it takes 300+ pages to hammer this singular "what if?" point. The book opens with a great set piece that explains how the author (or "biographer") came to possess Lincoln's secret journals and was chosen to spread this "truth" to the world. And the re-framing of Lincoln's childhood and young adulthood as a 19th century Buffy Summers has its charm (there's even an Edgar Allen Poe cameo!). But by the time the umpteenth Lincoln loved one is killed by a vampire, and the Civil War is raging, with supernatural-tinged casualties at Bull Run, you're kind of over it. And so is the author, I think. But such is the problem with taking existing material for your base: you have to run its predetermined course. And any purported Lincoln biography has to end at Ford's Theater, if you're really going to commit to your conceit.

Overall, I'd recommend, especially for summer reading. No one will mistake the the scholarship for Doris Kearns Goodwin, but at least now we know that one of our presidents was committed to saving us from the scourge of vampires (thanks for nothing, Millard Fillmore).

Sunday, July 04, 2010

The Girl Who Fixed the Umlaut

Even if you haven't read The Girl with the Dragon Tattoo or either of its sequels, chances are you know someone who has--or at least you've seen someone with his or her nose stuck in the Swedish noir on public transportation. But if you've actually read it, you know that the writing has some...challenges. Namely, beloved tropes and repeated language that the author uses to shoehorn certain plot elements in there.

This week's New Yorker has a spot-on parody of the books by Nora Ephron. No word on whether her movie version will star Meg Ryan.

"She tried to remember whether she was speaking to him or not. Probably not. She tried to remember why. No one knew why. It was undoubtedly because she’d been in a bad mood at some point. Lisbeth Salander was entitled to her bad moods on account of her miserable childhood and her tiny breasts, but it was starting to become confusing just how much irritability could be blamed on your slight figure and an abusive father you had once deliberately set on fire and then years later split open the head of with an axe."

As JF pointed out, the only thing missing from the Ephron version is a trip out for sandwiches and espresso in the middle of the night.